Monday, October 20, 2014


Good morning, Good Afternoon and Good evening wherever you happen to be:

A BIG thank you to Patricia Keeler who tagged me for this blog tour. I know Patricia from our association CBIG-NYC or the Children's Book Illustrator Group based in New York City. Although we have never met, I feel an artistic bond with this talented artist.  Her paintings depict the most delightful aspects of all children.  You can see more of her  work on Patricia Keeler's Blog  andher Website, I LIKE BOOKS With PICTURES

This time it is my turn to tell you about a character in a picture book I am creating.   

What is the name of your character?
Lenny is a very lonely, but hungry dragon. It has been given an enchanted cookie by a little man with a rather wicked sense of humor. That little man loves to play tricks on the forest creatures.

When and where is the story set?
The story opens in the  forest but soon moves to a castle kitchen just as Catherine, the  cook, and her helpers, Trevor and Amelia are preparing a huge birthday dinner for the Queen.

What should we know about Lenny?
 Lenny is an especially lonely and hungry dragon, but the favorite food of this particular dragon has unexpectedly become something other than what you would expect.  Even the dragon doesn’t understand why its tastes are so particular.  Fine china, crystal goblets and the Queen's favorite Golden Bowl seem too tempting to resist. (I would suggest that the forest trickster has something to do with this.)

What messes up its life?
 After gobbling up most of the china in the kitchen including the Queen’s favorite Golden Bowl, the dragon is chased throughout the castle by all the staff with swords, daggers and brooms.   It can’t get away unless it makes its way into the deep caves below the castle. Hiding and hungry the dragon is lonely, afraid, and in danger.

 What is the personal goal of your character?
 This poor dragon desperately wants to be free of the caves, return to a normal life of eating what it really wants, and find one or two true friends.

But what about that Golden Bowl?

You can see more of my work on my website and once there you can find my books, and more about how I work.

and now....

I have the pleasure of passing the Meet My Character Blog Tour to  two amazing children's book illustrators: Look for their introduction to their characters next Monday, Oct. 27.

 Christine Mix Blog  and Christine Mix Website

It was just after Christine Mix graduated from the University of South Florida in 1988, with a B.A. in Fine Arts and Mass Communications, that she painted her first children’s illustration in watercolor, titled Spike & Wordo’s Magical Wish. Hence, Spike the Dragon was born and Christine realized she had found her niche in art and her future.

Her children's illustrations can be found in Stories for Children Magazine, Back- to- School- Issue, 2012, in SCBWI’s Bulletin in 2005, 2009, 2010 and so far, one children’s book, Write Out of the Oven! by Josephine M. Waltz & Illustrated by Christine Mix, published by Teacher Ideas Press / Greenwood Publishing, 2005. As a children’s author, Christine has one non-fiction short true story, Standing Up, that was published, in Chicken Soup for the Child’s Soul Character-Building Stories to Read with Kids, Ages 5-8, May 2007.
Christine is currently working on her second PB story & dummy, featuring Spike the Dragon and some ghoulish friends.

I have the pleasure of also passing this task to Amy Cullings Moreno.  This will introduce Amy Cullings Moreno's Blog...And you can find her website and portfolio here.

I have been creating children’s illustrations and art since I was a child. I have always enjoyed reading, writing and books, and creating art. The combination of these passions led me to study commercial illustration in Boston at Butera School of Art, where I specialized in children’s illustration.
I enjoy creating images that inspire and uplift, as well as sharing my faith in a Good God, and hopefully allowing that faith to shine through my art. 
My husband and I live in Northern Virginia, and we have three wonderful grown children who have been much of the inspiration for my children’s illustrations.
I am currently studying oil painting again, and finding great joy in it. I hope to add more of this style to my newer illustration work.

Saturday, October 11, 2014

How I work....

Sometimes I get emails from other artists and authors asking how I work.  I used to have this information on my website, but when I reduced the size of the site, I left that part out.  So here is a brief bit about how I work and where I work.

My studio is small.. only about 10 feet by 10 feet... and if that sounds like a lot... it isn't once you fit in two huge desks. There is one for the hardware and one for the drawing boards and paints.

In addition to those there are 8 bookshelves ( all filled) and two file cabinets, one rolling taboret, a large floor cabinet for storing paper and providing a place on top for the wide body printer, a CD cabinet (looks like a card catalog) another set of three oak flat file drawers...on top of a third table, and a dry mount machine.

Add to this the brushes, pens, sketchbooks, assorted small stuffed and ceramic animals, boxes of scraps for the children to use in creating their own masterpieces, and on and on.
In other words, the space gets used.  Since I only sit at the drawing board or the Cintiq I have room for me in there too.

But that is only the beginning... How I Work is a bit different.
I enjoy the option of drawing just about anywhere in the house or outdoors.  If I am upstairs with family I can carry a box of pencils and a sketchbook.  If I need something from those drawings I either scan or photograph them and move them to the computer.

Most of the time I use a very large drawing pad on the drawing board in the studio. I like to make BIG sketches. It seems to let the lines flow more freely.  Those can be painted or photographed for later. They are always way too big for the small scanner I have.

If I transfer work to the computer, I paint with Painter 2015 and / or Photoshop. The final results are always open to more traditional painting if I think it would make the work better.

When I am happy with the work I will print out a copy on the wide body printer and check the color and texture.  If the work is for a book I am illustrating the last step is to convert the final computer image to CMYK so that it can be printed by most printers.  Sometimes I can just submit in RGB..but always have to ask first.

For some of the authors I work with, I will also do the layout in InDesign and convert to a print ready PDF for their chosen printer.